10 February 2010

10 on 10 (in #10!)




I *finally* remembered to bring my camera with me on the 10th of the month, so I present my first contribution to "10 on 10" (see the original blog here!)

From Rebekah's forward:
take a photo once an hour for ten consecutive hours on the tenth of each month. 
document a snapshot of your life and find beauty amoung the ordinary things of your day.
leave a comment to be added to the list of contributors..happy photographing!

I had to cheat a bit on mine - most of my time spent getting up and getting in to town is within the same hour, and I had to do the backstage shots during the dinner break, as I don't think I can have my camera backstage. (At least not at this point, where I have to be ready for just about anything at this point) Still, a quick snapshot of a day in the life of a West End dresser. :)





































Catch-Up Time!!!

Well, well, well... *ahem* between the not-so-subtle suggestions of my mums and the insistence of my friend Katy, I had my evening post-tech sustenance, then decided to see how long it had been since I last posted in here... eep. Seems I need to do a bit of dusting to take down the cobwebs. So, let's recap the past ... two and a half months!

Visa Issues

When I last left off, my Visa was winding its way to the Home Office for its third attempt at application, with the knowledge that it had to be back in my hot little hands before I could fly home for Christmas, and had to be approved before January 31st (or I would be kicked out of the country). As it turned out, although I could've applied for a second passport from the American Embassy, it would be just that - a passport, without my Student Visa included, meaning I probably wouldn't be allowed back into the country if I left without my usual passport returned to me. I had, by this point, already bought plane tickets for a completely arbitrary date (by which, of course, I mean the cheapest possible date around the time I wanted to fly), so I simply had to sit on my hands and hope and pray that it arrived back in time for me to fly out at noon, on Thursday the 17th. (It should be noted that I could change my airline tickets, but only up to 48 hours before the flight, and I would lose nearly all the cash I'd already spent on them) 

On *Friday* the 11th, I received a phone message while I was at work, "This is the Home Office, could you please call me back regarding your visa application - this is rather urgent". Irritatingly enough, I didn't receive the message until after the office had shut for the day and -of course- the government isn't open on the weekends. I spent Saturday and Sunday chewing my fingernails to the nub, then spent Monday frantically calling and calling to no avail. (I was later informed that the cleaning staff, over the weekend, had somehow unplugged this guy's phone!) Fortunately, around 3:30PM, he realized the problem on his end and gave me a ring back. Turns out that, if I could get him proof of a wire transfer between my father and myself, he could approve the visa! (Calloo callay!!) However, to get it to me in time for my flight (it would have to arrive on Wednesday at the latest, since I'd have to leave my flat on Thursday morning far earlier than the mail would arrive), I HAD to get him the proof before the end of the business day, so that he could put it in the mail "Next Day Delivery" early enough the following morning. As his office closed at 4:30PM, the next hour was an absolute madcap rush of phone calls and 7AM car chases on the Seattle end, as dad and mom rushed the needed receipt to dad's work in order to fax it to Sheffield. Bless his heart, the Home Office guy kept the office open 'til 5PM in order to get the fax, approve the Visa, and get everything printed, enveloped, and into the bag for the morning post. 

I can't imagine how I survived Tuesday, and Wednesday I spent pacing the floor - waiting for the mailman. Unfortunately, the envelope was sent requiring a signature, and the mailmen here are absolute ninjas. (By which, of course, I mean they're too lazy to actually bother to push my doorbell, preferring to simply write a ticket "Sorry, you were out" and race off when no one is looking) Fortunately, I got the aforementioned card early enough in the day that I could race over to the mail holding facility and claim the envelope. Huzzah! I screeched to a cloudy sky - Calloo callay!!

However, this isn't where the story ends - I received it back as soon as I ever would've been able to get it back, so I thought, "Thank goodness I didn't book those airline tickets for even a DAY sooner!" but, I also thought, "Well, but if I'd bought them for a day *later*, I wouldn't have had such a heart attack". Wrong again. I flew out of Heathrow at 12 noon on the 17th - by 6PM, the entirety of London was under pelting snow clouds, the runways were iced over, and nearly all flights were cancelled. (And remained that way through the following week). 

Christmas

Thank goodness for the Christmas holidays - it may have been a headache (not to mention a death-defying car ride for mums), but it was such a needed and completely welcome break to recharge the batteries, see the family again (especially my super RIDICULOUSLY adorable brand-new nephew Will!!), not be racing about like a madwoman, and mostly just be around people that I've known for more than just a few weeks! It's amazing how much of a salve to the soul it is simply to have someone recognize an inside joke, or swap stories with that you both remember, or join in on old traditions that you've done since childhood. I'm all for seeing the world and experiencing new culture, but every now and again you need to "go home again" and watch "Muppet Christmas Carol" or get hugs from the nieces or laugh about that year when we decorated the tree to the Ren & Stimpy soundtrack. 

New Years / January

I "had" to return to London before New Years, as I was supposed to work a Lola job on New Years Eve. Irritatingly enough, it was cancelled - to be fair, however, I would've been hardly more than a walking spectre at the event, as jet lag hit me HARD this time around. It took me a good solid week to start being able to stay even partly awake while the sun was out, or to at least be able to close my eyes and lie still at 3AM. Par example, I slept until 10:45 on New Years Eve, even though I'd told myself that I would get up and go do something fun for New Years. Instead, I made myself some dinner and watched the fireworks go off on the Thames on good ol' BBC1. They were very lovely and, after they'd finished, I told myself to turn the computer off and go back to bed, then get up when the sun rose. However, as I was wandering my way "out" of BBC iPlayer, I noticed that they'd put up the Torchwood "Children of Earth" miniseries, which I'd always intended to watch. Although I knew perfectly well that I'd regret it, I wasn't sleepy at all anymore and promised myself I'd only watch one episode. By 6:30AM, my eyes hurt, the sun was streaming in through the window, and I had to shut down the screen and go to bed. Whoops. 

January 4th, I started at "Blossom & Browne" in Holland Park - a premiere launderers and dry cleaners. I know when you hear "dry cleaners" you don't exactly picture "posh", but I should make the point that this is the largest chain of dry cleaners in London, and hold the patronage (and royal crest bearing that information!) of HRH The Duke of Wales (aka Charlie), HRH The Duke of Edinburgh (Philly), and HRM The Queen (Lizzie herself!). A good portion of the customers who come in are Lords and Ladies, and I was here when a woman came in to pick up one of the Princess' napkins. 

It's a very sweet little shop in the heart of residential Kensington - I'm in the shop with Liz, the sweet older lady who runs the till and deals with the day-to-day running of the shop. I, meanwhile, am set up in the front window, puttering away on my industrial sewing machine or with my knees up to hold my hand-sewing closer to my face. I have sewn buttons back on, relined coats, both taken in and let out suits, taken up hems, etc - I love watching their eyes light up in absolute delight when I tell them that I can darn holes. One very sweet Frenchman (Fred) has brought in just countless jackets and jumpers (sweaters) that have holes the size of silver dollars (though he's a favourite of mine, because he prefaces everything with "just do what you can - I understand it won't look brand new"). 

I had a woman bring in two large bags worth of linens that were holy to high heaven; this included a very nice linen double sheet, with a 4-5" rectangular hole almost dead center to one side. When I warned her that I couldn't darn such a hole (I could only patch it - and, as it's just about the spot that your toe will always catch, the patch wouldn't last very long anyway), she asked if I could just cut that part out and turn the double sheet into a single sheet! I had a good laugh over that and enjoyed doing it, but I had to wonder if I'd managed to time travel back to 1940's Britain, and whether I should start up a Victory Garden in the back and hang up a picture of Rosie the Riveter to inspire me. 

Job Hunting

I enjoy my work at Blossom and Browne - the customers are sweet, it keeps my sewing skills up to scratch, and it's nice to be able to sew at a nice, leisurely pace. (The customers get it back when it's done, rather than the work needing to be done for tech this afternoon so it needs to be done now!!) However, the goal was always to get back into theatre (that's why I'm here in London, after all!) I'd been sending out CV's, but knew that I needed someone to let me jam my foot in the door somewhere - I have a strong CV of Seattle theatre, but -thanks to the time zone differences- it's pretty much impossible for a company here to contact anyone back there. 

In any case, I gave Phil Murphy, wardrobe head at Les Miserables (where I did a week's worth of Work Study last January), a ring to see what was shaking with him. As it so happened, one of his Wardrobe Assistants (Kieron, who I'd met when I was there) was leaving, and would I come in to interview for the position?

(WOULD I?!)

As it happened, I didn't end up getting the position and was rather bummed about that for a few days. However, my heart was in for a bit of a rollercoaster few days, as I went from being bummed about this turn of events, to getting a phone call from Sandy Smith-Wilson, Wardrobe Head in charge of Andrew Lloyd Webber's brand new show, "Love Never Dies" (the long-awaited sequel to "The Phantom of the Opera") Two more dresser positions had become available for the show, and Kieron (who had left "Les Mis" to become the Wardrobe Deputy for LND) had recommended me for the position! I had a 15-minute interview, after which I was told immediately that I'd received the job, and we'd be starting tech on February 4th.

!!!!

I had just enough time to talk to Blossom and Browne and get a few weeks holiday sorted out, as I wouldn't be able to continue work there while tech was going on (that said, once the show gets up and running, I'll only be working evenings, and will be able to continue putting in a few hours in the alterations and repairs corner at Holland Park - keep the old sewing skills sharp and be able to put away some cash towards savings every month [as well as save up for something fun and/or crazy!] ), I was able to go in for my interview for my National Insurance number (so I can start putting the taxes deducted from my paycheck towards my own pension fund!), and -come last Thursday- I was officially employed by the Adelphi Theatre (right on The Strand, one block down from Covent Garden, in the heart of the West End) and the Really Useful Company. 

!!!!!

"Love Never Dies"



So, yeah... The sequel to The Phantom of the Opera...

I should point out, right up front, that I have to be really, really, REALLY careful about what information I write about the show - we've all been sworn to secrecy about pretty much every detail, from plot twists to the AMAZING spectacles that the show employs. Suffice to say, Andrew Lloyd Webber has quite literally pulled every trick out of the bag, and every day I've been in the theatre, I've been amazed and awed by something new.

The Adelphi Theatre is right on The Strand, just a two-minute walk down the street from Charing Cross Underground (and Train) Station (which, super happily, is on the Northern line, which takes me all the way down South to Balham, from where it's only a 5 minute train journey back to my place - easy peasy, as they say), next door to the Vaudeville Theatre (currently playing Noel Coward's "Private Lives" with Kim Catrall (bleh) and Matthew MacFadyen (yummy!), and kitty corner to the Savoy, currently playing "Legally Blonde: the Musical" (hells yeah!).

The theatre is a tribute to Art Deco style, as well as -in true London style- a curse to all cast and crew legs and feet. This is due to the fact that the theatre was built "up" rather than "out" - you enter the theatre on the ground level (stage door level), and have your choice - you can go up to the dressing rooms and various crew rooms (the wardrobe room is on floor 3 [the fourth floor up from the ground], while my dressing room is on the 4th floor [5th by US phrasing] ) Yep, five flights of stairs to get to my actors and their costumes. But, obviously, the show isn't happening in the dressing rooms - oh no, for that you have to go back down to the ground floor, then down a FURTHER floor to get to the stage level. However, from here you can only access Stage Right. Because the sets are so monstrously huge, there was no room to allow a cross-over space in the back [for the crew to cross the stage without being seen on the stage] SO, you go down ANOTHER flight of stairs to the "Substage" area (where we have multiple quick-change areas set up, as well as the "catch" area for the elevators and trap doors to the stage - you climb the stairs on the other end to access Stage Left, but have to come back down and through the Substage if you want to get back out again. One of these mornings I'll stop and buy a pedometer. Then again, I'm not sure I really want to know...

There are 10 dressers on the show, each assigned to a specific dressing room (or, more to the point, assigned to take care of the actors who are in said room) - I'm the dresser for the actress playing the character of Fleck (a lead - one of the Phantom's henchmen, so to speak), as well as three ensemble women, who are also the first understudies for Christine and Madame Giry. All four girls have been absolutely adorably sweet (Celia gave me a massive hug when I introduced myself, Niamh [pronounced "Neeve"] laughed and said we were in for a really fun year), even despite the fact that I'm the one who has to lace them into their corsets after dinner. ;) I've already learned absolutely HEEPS of London theatre gossip which I wish I could tell, but the Dresser's Code strictly forbids passing on gossip heard in the dressing room. One day, one day I shall write my memoirs, but not until I'm fantastically rich and living in seclusion on a desert island somewhere, eating bon-bons all day. Until then, the secrets told in Dressing Room 10 must remain in Dressing Room 10.

The other dressers (and the Wardrobe Assistants / Wig Persons / Wardrobe Head / Costume Supervisor / etc etc etc!) are all an absolute hoot - we spent our first day called in forced to sit through a Health and Safety lecture on not lifting heavy things and, basically, told us that everything we were doing was wrong. Whoops, but -really- what can you do? It's become something of a running gag amongst the costumers now - "are you keeping your back straight?!" One of the H&S guy's questions was, "Do you eat healthy?", to which we all chortled pretty much simultaneously. I've been bringing a dinner from home and have tried to keep fruit and good, hearty sandwiches involved, but I have also stocked up on microwave meals and diet coke. Especially for tech, what else can you do?

The basic premise of the show is that the Phantom escaped Paris at the end of "Phantom" with the help of Madame Giry and Meg. They escaped to New York and set up shop amongst the carnival atmosphere of Coney Island, where the Phantom has become rich and powerful. In disguise, he summons Christine (who has married Raoul and has son Gustave) to sing for a concert on Coney Island... and... you know... stuff happens. ;) Sir Andrew Lloyd Webber (who I have yet to see wandering the halls, though I know it will happen and I know I will make an absolute idiot of myself when it does!) wrote the music (which is absolutely glorious and extremely addicting in the ear-worm sense - I always come home humming the last song teched), directed by Jack O'Brian (it's SOO bizarre to hear an American accent come over the God mike while hanging out backstage with a Northerner and Scots(wo)man), with costumes designed by 5-time Tony Award winning designer Bob Crowley(!!!) Actually, the whole of the Creative Team is absolutely mind-blowingly amazing, but the costume designs are absolutely, positively the most sumptuous, glorious, exquisite creations I've ever had the very great privilege to work with. They are incredibly gorgeous up close and look even more amazing on stage, though it pains me to realize the amazing amount of detail work that people won't even see, just from the distance of the audience. Truly, TRULY stunningly gorgeous.

So, since I can't really tell too many stories (or, at least, it's late and I don't trust myself not to squee out all the incredible things in the show), I will direct your attention to better places to find out about "Love Never Dies":

The LND Blog - with written updates from the cast and crew, as well as video clips where they've brought a camera along to rehearsals. A really fun way to see (and read about) the fun people I'm working with, and watch THEM stumble around trying not to give too much away.

Ramin (the Phantom) singing one of the show's songs "'Til I Hear You Sing Once More" - at first listen, I couldn't help but thinking, "Well, it's no 'Music of the Night' ", but the song has absolutely grown on me, and I catch myself humming it on the tube. Plus, the man has a voice like buddah.

Sierra (Christine) singing "Love Never Dies" - Eagle-eyed listeners will remember this song from Andrew Lloyd Webber's birthday celebration TV special, though it had different lyrics back then. To be fair, I do rather prefer the old lyrics, but that may just be familiarity. Give me time, and I bet this one will grow on me. (And yes, that girl's voice IS that amazing!)

(Late addition: Just remembered a funny story from today that I *can* tell: I was sitting up in Dressing Room 9 with Jess [one of the other dressers] and a few of the girls in the cast. We were discussing the original Phantom vs. the film version of the musical, and I made the point that I found it distracting in the film when the actors spoke some of the musical lines as dialogue - being very familiar with the score of the show, it was distracting to hear the musical lines spoken with a different cadence and without the musicality behind them. In reference to the fact that I knew the musical well, I said, "I grew up with Andrew Lloyd Webber" - this turn of phrase confused one of the other girls, who looked at me with very wide, wide eyes and blurted out incredulously, "Literally?!" It took me a moment, then I laughed, "No, I mean I grew up with his music - I've never met him personally." We all had a good laugh.

25 November 2009

LOLA Events Staffing Company










<-------- Not me...










Obviously, the dream had always been to arrive in London and instantly get picked up by one of the major West End theatres who just happened to need a dresser right this instant. Unfortunately, I forgot to keep in the forefront of my mind the fact that I so easily got into Seattle theatre because a) SPU was a really easy foothold into Taproot, which was an easy foothold into everywhere else AND b) not a whole lot of people move to Seattle just to work in theatre.

London, on the other hand...

My CVs are going out, I did a week's work study at Les Miserables which give me a good London reference, and I am confident that I'll break in eventually. The wonderful world of theatre is that of a small city - once you're in, you know everyone's business and everyone knows yours, and you can pretty easily move from job to job since everyone knows who's working and who isn't. Sadly, however, it can be a bit tricky to get that foot jammed into that door. I'm working on it but, in the meantime, the bills do have to get paid.

Happily, I've managed to get hired on at LOLA Events Staffing Company - a high-end company that provides hosts/hostesses, promotions people, bar mangers, waitresses, models, etc to posh parties, fund-raisers, art gallery openings, million dollar weddings and bar mitzvahs, etc. Thus far, I worked an awards show at the Imperial College's Science Museum, a fundraiser in a GORGEOUS set-up tent/marquee behind the Royal Chelsea Hospital (well, it was a hospital back in the 1600's - it's now a simply glorious massive old building/museum), and a wedding at the West Heath Centre - this cool old posh boarding school that Lady Diana went to as a girl - it still has its original doors and windows, creepy iron spiral staircases, and - I'm sure - plenty of ghosts hanging out in the corners. Tomorrow, I'm working all day at Whitehall Palace's Banqueting Hall - I'm not sure what the event is, but Christmas does seem to be the "dinner party" season, and I'm getting adept at carrying upwards of 5-6 plates with their uneaten food and silverware, all balanced on my left hand's wrist. (I've also learned how to use a waiter's friend - those things are super nifty!)

This has turned out to be a rather fun way of learning how to get around London (I'm quickly memorizing tube lines, stations, and how long it takes to get anywhere), seeing these *gorgeous* old buildings and locales, and having a good laugh at how hilarious rich, drunk, middle-aged Brits are. ;) I have yet to have had to deal with a snarky or angry person at an event, all my co-workers have been friendly and delightful to work with, and the events are planned and organized down to the last second - it's nice to just show up and be told what to do every now and again. ;) (Plus, as my mom points out, I'm hardly the first person in the history of the theatre to work waitressing/hosting while waiting for the next show)

Amusingly enough, after working only two shifts (I was working at the third when the email came in), I was promoted (!) - I got an email saying that I'd shown leadership skills and had impressed the people I'd worked with, so they were bumping me up to "Ambassador" status, which means I get an extra £1/hour and get preferential booking (you log in to their website, where they have listed all the gigs they have for the next month, and you apply for any that you'd be available to work/would like to work - they put together their group, and either approve or decline you for that shift - I have a note next to my name, now, to definitely use me if it's an option), all in exchange for me agreeing to continue to show up on time and help out at the level I've been doing. (woot!)

Unfortunately, they have been very upfront with warning that there's plenty of work for the taking in December, but they run pretty dry on gigs from January-mid February. Closer to March, they start getting more events, but they warn not to depend on this for full-time work, even if full-time work is available in certain months.

In the meantime, I've been contacted by an upscale dry cleaning/alterations shop in Kensington (Blossom & Browne) - they were looking for an alterations person, and would I be able to come in to interview for the post? I did, met the woman in charge of that particular shop (who was fantastically sweet) and a few of the regular customers (who were also terribly sweet), and have been engaging in a bit of back and forth for the past few weeks, as the owners of the chain want to hire me, but I've been trying to get this Visa sorted. In any case, I let Charlotte know that - apparently - I *am* able to work full-time under the Student Visa; we scheduled an appointment for Monday, where I'll bring all my paperwork in, chat with the owners, and - unless something major comes up between now and then [aka Andrew Lloyd Webber decides he MUST have me], I'll start work with them at the start of January. It's only 24 hours per week, but it would be steady work, it would keep my sewing skills sharp, it would get me out of the house, and it's something to be relying on whilst I try to find a West End theatre to take me in.

The Visa Bureau That Stole Christmas


If you haven't been following my mass hair-pulling, nail-biting, expletive-shouting adventure of trying to get a UK Post-Study Visa, either through facebook or via gossip from my mum, here's the story in all its horrid, horrid glory.

I applied for an was granted a Student Visa back in September of 2008 - it was a relatively painless process (yes, lots of paperwork, but all the supporting documents were in place, the application was mailed out, and I received the Visa back on the first attempt, only a few weeks after I mailed the application out) and it allowed me to enter the UK and study at the Arts Institute, as well as granting me until the end of January 2010 (I graduated in September) to either leave the country or apply for a new Visa. PLENTY of time, I thought, how very generous of them!!

Hah.

At the end of September, I graduated from the Arts University College at Bournemouth (the school underwent a name and distinction change while I was enrolled) and began to gather the paperwork required to apply for a Post-Study Visa. This Visa is for those who have graduated with a post-graduate degree from a university within the UK - basically, they wanted to avoid training people up, then forcing them to head back home. As nearly all other options for leave to stay in the country require you to be hired to a full-time, permanent job, they decided to start up the Post-Study Visa as a way of allowing graduates to remain in the country and look for work that would be able to sponsor them for a Work Visa. Lovely. To apply for this Visa, you must be able to prove that you entered the country legally under a Student Visa, that you have graduated from a UK university with a post-graduate degree, that you can speak English fluently, and that you have enough funds to sustain yourself until you can find a job (without resorting to government handouts) - if you apply from within the UK, you have to prove you've had £800 in your possession for the past three months, if you apply from outside the UK, you have to prove £2800 for the past three months. As I can prove, easily, all of these categories, I downloaded the Visa application forms from the website and began to fill them out. I had to wait on some paperwork arriving from the school, but I didn't have to wait too long and, by the first week of October, the application was in the mail. Look at me, I thought, so on top of things...

My first rejection arrived back to me by post about two weeks later. The application requires a fee of £500, for which payment I had put down my debit card information. Unfortunately, it appears there is a daily withdraw limit to the card, which I had heretofore either never been told about or - more likely - simply forgot about, since I'd never attempted to pay for anything that expensive on my card before. As the bank had rejected payment of the fee, the application was stamped "denied", all the paperwork stuck into an envelope, and the whole thing was mailed back to me.

Frustrated, but not giving up so easily, I stuck the whole thing back in ANOTHER envelope, bought £500 worth of postal orders (in cash) at the Post Office, and mailed it back out. This time, I thought, this time! Obviously, it was a pain in the neck that it hadn't gone through (especially as I had originally planned on putting my credit card information down for the fee payment...), but what can you do. Give it another couple of weeks, and I'll be back on top.

Yeah... about that...

Three weeks went by, at which time I was hired both by an Events Staffing company (Lola) and was interviewed by Blossom & Browne (a posh alterations shop in Kensington). I needed that Visa back so that I could start working more than part-time (on the Student Visa, you're limited to 20 hours per week), as well as to prove to potential employers that I wouldn't be kicked unceremoniously out of the country on January 31st. On a Friday a few weeks after mailing the second attempt, the mailman failed to fully push my doorbell (causing it not to actually ring) then raced away as quickly as he could, leaving behind a "Sorry, you were out" card, detailing that I could pick up my "Signature Required" package... the next day. I headed over to the depot in the pouring rain, unspeakably nervous even though I had no real reason to be so. Well, that is, until I opened the package and discovered yet another "Sorry, your application has been denied" form letter.

In that instance, I walked home - thankful for the rain, since it disguised my tears and blinding anger. Once home, I pulled the form out and, after reading it several times to understand what had gone wrong, was just about ready to go throw a brick through the Visa offices. Apparently, the UK Visa Bureau had decided to update their forms on their website - on October 1st. The forms I had filled out had been downloaded probably less than one week before the government "updated" them - by which, of course, I mean that NOTHING on the forms changed, except that the "Valid from" date at the bottom had moved forward 6 months. That's right - my Visa was rejected because I filled it out on forms that were *technically* 6 months old; though, in actuality, they had still been valid up to 5 days before I mailed my application in.

In applying for Visas in the UK, you have two options: you can apply by post, which generally takes about 3-4 weeks to be returned to you, or you can apply for a "Premium" application: this costs £200 more, but allows you to make an appointment, then show up on the day with all your paperwork in place and receive a "Day Of" decision. No long waits, no chance of anything getting lost in the mail. Unfortunately, the system to make these appointments is online - and, in the probably 15 times I have checked that website, there has never ONCE been an available time slot. Not once. They claim, both on their website and on the phone lines, that new appointment slots are added throughout the day, every day, but I have checked their site -oh!- so very many different days and at so very many different times. I took about a week or so, sitting on the application at home, trying desperately to find a Premium appointment slot. I checked online, I tried calling all the different Visa offices, I emailed every email I could get through to. Nothing.

Finally, yesterday, I got sick and tired of waiting (especially time is ticking down) and mailed the bloody thing off again: this time on the *new* forms, and - once again - with postal orders. My actual application is nearly rock solid - I have a postgrad degree from a UK university, I was on the Student visa the whole time, me speak goodly English, I never got in trouble with the law, etc. However, there is one small hiccup which would've been overlooked if the first application went through, but - unfortunately - glares at you right in the face now. For about 12 hours between October 5th and October 6th, thanks to an early withdraw of funds for my housing deposit on my flat and a late arrival of wire transfer funds from my Dad (they were sent plenty early - it was just the problem of dealing with different banks in different time zones), I dipped below the required £800 of available cash. It's not that I was out the cash for a massively long period of time, and the circumstances surrounding it are completely understandable. However, these are the people who denied my application because I was using forms that were completely similar to the ones required, but had a different date on the bottom. I have a strong hunch that this third application will be returned denied because of this hiccup. I'm hoping the person overlooking the application will take into consideration the "spirit" of the rule, the fact that I'm here with a lease on a flat and already employed, and - hey - it's Christmas... however, I am steeling myself up for the worst.

In good news, a talk with a person at the Croydon offices told me that, actually, under the Student Visa I *can* work full-time as long as I'm not currently studying - the 20 hours/week restriction only applies during term-time. I also was pleasantly surprised to receive a REFUND of the fee for my second attempt - although I would've preferred them to actually consider the application on its merits, at least they didn't just take the money and say, "Tough luck".

On the other hand, in oh so horrific bad news....

I knew that it was going to be a tight squeeze in hoping that the current Visa application gets back to me before my plane takes off to come home for Christmas. If I'm going to catch my plane, the Visa has to be back in three weeks and two days at the absolute latest - and the second attempt (where they obviously didn't look any further than the bottom of the first page) took three weeks exactly. However, a quick look at the US Embassy page showed how to apply for and receive a second passport - in order to allow you to travel while your current passport is stolen/lost/at the Home Office. I made an appointment, gathered the required documents (birth certificate, driver's license, Social Security card), filled out the forms, and thought "No problem". At the bottom of the email from the Embassy, however, contained the fatal words: Check with the Home Office to ensure you're able to travel while your visa is being considered.

I called up Croydon and, after finding out that I could work full-time and that there were absolutely no "Premium" appointments available, I posed the situation of flying home at Christmas with a second passport from the Embassy if my Visa application didn't go through in time.

"Oh, absolutely not. No. You absolutely cannot."

A very long pause followed. When he tried to explain that my Visa application wouldn't go through without my passport, I explained that I'd sent my passport along with my Visa application, and I would be traveling with a second passport supplied by the Embassy. Nope, no this wasn't allowed. Apparently, my status in the country is controlled by computer - the second passport I would get from the Embassy would be just that - a passport, without any Visa information in it at all. If I were to re-enter the country as a Visitor (as I'd have to do with my second passport), the computer would automatically over-ride any prior or existing Visa applications or information, meaning my current application would be either automatically denied (if it was still being considered) or taken away (if it had been approved). And, he was quick to point out, that was IF they let me in the country at all - which they probably wouldn't. I'd be forced to divert back to the States, where I'd have to reapply for Entry Clearance.

I still have my appointment at the Embassy scheduled for this Friday, so I'm going to go in and see what they have to say - sadly, it does make a kind of warped sense (reminiscent of all the other obnoxious bureaucratic mess that this government loves so much), and I don't really imagine that the Embassy will be able to do much to help me. At this point, I have to just wait... if the Visa arrives back here, approved, and before my plane takes off - great! Merry Christmas, life is good, and all is right with the world. If the Visa doesn't arrive before or with the post on December 16th, I have to either cancel my flight or move the dates, hoping that it will arrive in time for *that* flight. (On top of, of course, paying the fees and fines for moving my flight, and the price difference between tickets) If it does arrive late, I have to hope and pray that somebody in the Visa offices took pity on me about the banking snafu, because if it arrives late AND denied... I will probably have a rather good little sob right on the floor of the post office. At that point, I'll have to wait until the banking hiccup is over 3 months in the past (after January 6th), then reapply - unfortunately, by this point, I'll be about 25 days from my current leave in the UK completely expiring - and the Home Office refuses to have anything to do with your case once your leave has expired. At that point, I honestly don't know what I'd do. I'll talk with the Embassy about "worst case scenarios" on Friday, and hope that I can find a friend willing to be my bulldog in the government.

Soo... yeah. Obviously, there's still time for everything to sort itself out as the universe's Christmas present to me, but on the other hand I may still yet be in for a whole world of hurt. Please be praying for me over the next two months - I have a lot invested in being here and have already won so many battles, I just need some pretty miraculous divine intervention to get me over this rather massive hurdle in the way. :(

09 November 2009

Mark Your Calendars...






Just bought my plane tickets to come home for Christmas!!








I will be arriving the evening of the 17th of December, departing again on the 29th. Both flights are through AirCanada, so I have to work on my accent, eh, and keep my fingers crossed that I avoid any major blizzards. (I had a lead on a slightly cheaper ticket that went through Minneapolis, and I just spent the whole time going, "I'm going to get stuck in Minnesota... I'm going to get stuck in Minnesota..." - as it turns out, that ticket went the way of "Oh, I'm sorry, that ticket is no longer available at that price - we do have the same ticket for $100 more, but you better hurry, because it's going fast..." - I'm no dummy, orbitz! I took my business elsewhere, and got tickets through Canada for only $8 more. So there)

Sooo yeah! :) I knew I had to come home for Christmas - not that the holidays here in the UK aren't lovely, but it would be coming home to an empty flat which is just not cool at all. That said, I'm getting a kick out of the Christmas season here in the UK. There aren't any real "commercial" holidays between, oh, summer and Christmas - no Thanksgiving [obviously], Remembrance Day [basically, the UK Veteran's Day - the only thing to buy is a poppy, which is a gift when you make a donation to the Poppy Appeal], Bonfire Night [celebrating the Catholics *trying* to kill people, the Catholics getting hung for trying to kill people, or somebody trying to kill government leaders - depending on your point of view ;) - again, nothing to "buy" - you go out to a fireworks show or, if you're out in the country, you make a big bonfire and set stuff off - 4th of July without resorting to massive flags or tacky red, white, and blue paraphernalia], they don't really "celebrate" Halloween (apart from the occasional school party or college kids doing a fancy dress party)... and, apart from the odd Saint day or Bank Holiday, nothing until you get back to summer clothing and barbeque gear. So, free from the guilt of starting the holidays before December, the British have already long since kicked off Yuletide celebrations.

The bridges are covered in lights (I *must* get pictures of this for you - it's just stunning gorgeous watching the lights flicker in reflection against the Thames), the city streets are strung up with lights and trees and general merriment, and the streets are PACKED. I made the mistake of going into town last Saturday to pick up some shirts for work - tourists are everywhere (I know that I'm becoming a resident of the city - I'm grousing under my breath at the stupidbloodytouristsstoppinginthemiddleofthesidewalk...), the stores are jam packed, and everything simply must go! The shop clerks are holding up tolerably well; I don't know how they avoid going postal though, between the throngs of crowds and the truly terrible Brit Pop Christmas songs playing ad nauseam over the speaker system. Everyone knows, after all, what the best Christmas song is, after all... :)

Still, despite the massive crowds, the constant sales, and the early start to the Christmas season, I've been amused to feel the culture shift between the States and the UK. It's hard to really put your finger on, and even harder to then put into words - I also don't want to claim anything definite, considering I've only been around for such a short time - but, although Christmas is still commercialized, it's a *different* commercialization than in the States. I feel like, in the US, everything must be bigger and better than the neighbors - going for a Christmas tree? Better be a 20-footer! And fill that sucker up with presents underneath: the bigger, the better! More high-tech, more wireless, more parties with more food than you could ever eat and way more alcohol than you should ever drink! So much of the focus in the States seems to be one-upping everyone else, overdoing it, creating a glut for the sake of proving that you can do a glut. The problem with gluttony is that, generally, it ends up being unfulfilling, because you're too overwhelmed to enjoy what's there (and/or you're passed out on the couch).

I don't mean to give the false impression that Britain is this sweet, family-orientated country that cares only about gathering in front of the fire, with a mug of mulled wine and Tiny Tim up on Scrooge's shoulder, basking in the Dickensian paradise of simple pleasures. But there is still a sense of restraint. Oh sure, you can still buy the massive surround-sound system with the 20 foot tree, but nowhere is it felt that it's required for everyone. Impulse items stacked around the purchase points are filled with warm socks, or boxes of chocolates, or bath items - not computers and ipods. Advertising focuses on presenting the family, around the table or the fire, enjoying a decent - but not gut-busting-sized - meal, behatted with their paper crowns, crowding around the telly to watch the Queen's speech, where she addresses the nation to speak - generally about volunteering, the power of faith, and the love she has for this small nation. Or, more likely, they tune into the new Doctor Who special. :D (Which reminds me that I'll have to find a torrent of it... oh, David Tennant, why must you leave us?!)

In any case, I do hate to make it sound like I'm idealizing one nation, whilst demonizing another - I just happen to find much more joy and satisfaction in the British standard of Christmases... and, ironically, embracing that standard of family and friends, I have to leave the country in order to do so. ;) So, look out Seattle, I'm coming back!    


05 November 2009

Vi Veri Time2Movesum Vivus Vici


Evey: "Vi Veri Veniversum Vivus Vici"
V: "By the power of truth, I, while living, have conquered the universe."
Evey: Personal motto?
V: From "Faust".
Evey: That's about trying to cheat the devil, isn't it?
V: It is. 


It may have required COUNTLESS phone calls (on my dime) to over four separate estate agents at time2move, threats of legal action (both from myself and my father), I may have been lied to several times a day - directly to my face, it may have caused me to tear my hair in rage and become so jaded to humanity that the simple action of someone calling me back when they said they would now makes me esteem them as a saint, but our long national nightmare is over. The wardrobe that was contractually promised to be installed in the flat before I arrived has, only 31 days late(!), arrived! Kaloo-kalay!

It's amazing what daily phone calling, harassing in person at the various offices, pitting the landlady against the agents, pitting the agents against each other, and a threat of legal action can do, eh?

It's a bit wobbly (I had to put some extra bathroom laminate flooring underneath the front wheels to keep it from constantly falling down on top of me) and not actually as wide as the hangers I have (so the doors don't close all the way shut), but my clothes are no longer cluttered on the floor and I can finally stop having to call time2move everyday! I hardly know what to do with myself - now who I am going to get to lie to me everyday? ;)




Look at that nice clean floor...

but... where's the wardrobe??...











L'ARMOIRE DE TRIOMPHE!

Awww... there it is... :)
(It's at an angle against the corner - I hate when these things sit flat against the wall, but I couldn't have it angled against the *other* wall (ie next to the window), or 1/2 of the power outlets in the room would be covered up, and I have to blowdry my hair in here, since there aren't any plugs in the bathroom - yes, I have to ration out my power plugs... bienvenue a l'Angleterre)

Sadly, because they delivered the wardrobe "this afternoon" (by which I, of course, mean 7:30PM), I wasn't able to go out to enjoy Bonfire Night - well, I could still go out, but most of the fireworks shows either started at 7:30 or will start in, oh, seven minutes - not even enough time for me to make to the train station, much less up to Battersea Park or Streatham. I can hear the booming and blasts all around me - earlier, someone must've shot off something pretty spectacular nearby, since the whole window turned bright white for a moment. (I thought a floodlight had turned on out in the Close, only to remember that there aren't any floods that large out there) Instead, I shall make myself a congratulatory mug of mulled red wine (I finally remembered to pick up some ground cloves) and revel in the Sweet Taste of VICTORY!!!